The Conjuring 2

Movie Review

I am a big fan of horror movies. No, not the Ramsay banners please! I pick up a horror film expecting a unique content, but end up disappointed. The Conjuring-1 garnered lot of public attention with its different presentation. The team thought of continuing the legacy with a sequel. Want to know what happened next? Okay then, read on.

The plot- A single mother Peggy Hogdson stays in a big house in London with her four kids, struggling hard to make needs meet ends. Their life turns upside down when her eleven year old daughter Janet sleepwalks and converses with a spirit. Things go ugly when the screams become frequent and Janet is possessed by a demon who claims the house to be his own.

The incident reaches media and ultimately paranormal investigators Ed and Lorraine Warrren who were popularly known for investigating the AmityVille murders. Lorraine had a vision of Ed being killed by a demonic Nun figure during the investigation of AmityVille shootout.  In fear of Ed’s death, she takes a break from work, trying to stay away from investigations. When they are approached to help Janet, Lorraine agrees reluctantly, asking Ed not to get involved closely in the case. Both reach London as observers instead of investigators.

The local investigation team finds out Janet is possessed by spirit of Bill Wilkins but soon call it it a fake show when they see Janet in a video recording purposely throwing things. Being challenged on the legitimacy of spirits, an angry Peggy asks them to leave the house. The Warrens half heartedly return but turn around when they discover Bill Wilkin’s spirit is not the main culprit. Lorraine sees the same Nun demon from her previous vision haunting the Hogdson house. What was the connection? Why does she see Ed dead? Does Ed make it to the end? Well, you gotta watch it for yourself.

My views- Vera Farmiga and Patrick Wilson as the Warren couple, play their characters well. They efficiently portray calm, ready to help, no nonsense, sweet people. The real couple in real life was also as sweet and loving as shown in the film. The backdrop, the set of the old house gave it an authentic look of 70's. Madison Wolfe as Janet Hogdson was convincing for her age. 

Frankly, I missed the core horror factor. Same props and dim rooms no more attract the audience. Please try something new. Unlike the prequel, Conjuring -2 lacks the spine chilling factor. Why do demons or spirits make their presence felt only at night? Objects flying, tables shaking, hideously spooky faces are old school! (No offence to demons okay). Power cuts in the presence of spirits, creeky doors, disturbance in TV sets- seriously people? Who finds these creepy at all? Given the history of late 70's, I agree nothing much could have been done. Still, making it spicy is in the hands of the director, ain't it?

For those who still enjoy this level of horror, please watch it. If you are looking for something new, then this is not your cup of tea. 

By the end of the movie, I felt I could have invested time in a better movie. Conjuring 2 is good to watch if you have no other movie or sitting idle while travelling in local transport. 

Genre- Supernatural 

Duration- 134 minutes

Direction- James Wan

Movie Review- Wazir

Director- Bejoy Nambiar            Producer-  Vidhu Vinod Chopra
Genre- Thriller                            Release Date- 8 Jan, 2016          Duration- 1 hour 44 minutes

Wazir is one of the most talked about thriller films in Bollywood and the screen presence of Big B Amitabh Bachhan with super talented Farhan Akhtar gives you a reason to watch it. The duo feature in unique roles like never before. O yeah that’s intriguing enough.

As the name suggests, this thriller plot is based on a chess game where the pawns represent the characters. No, the movie does not revolve around the game of chess or but on dirty politics and corrupt thoughts that the characters portray, just like one does in chess.

The plot- The protagonist Pandit Omkar Nath Dhar (Amitabh Bachhan) is a wheelchair bound grand chess master who lost his daughter in an accident. Deep down in his heart he knows the killer of his daughter but is unable to avenge him because of two reasons- Lack of concrete proof and his disability.

The second character Daanish Ali (Farhan Akhtar) is a high ranked cop in the anti-terrorist squad who is married to Ruhana (Aditi Rao Hydari). The couple lives a happy life with their cute six year old daughter Noorie. In an unfortunate accident, while chasing a terrorist, Noorie gets shot and dies on the spot. A grief stricken Ruhana blaming Noorie's death on Daanish, gets separated from the latter, refusing to see him.

A devastated Daanish promises himself to avenge the death of his daughter. He finds confidante in Pandit Ji and as both share a common thing – grief of their dead daughters. In their unique friendship, Pandit teaches chess to Daanish and narrates to him how he had lost his own daughter Nina. Daanish is intrigued by Pandit's story and promises to help him find Nina’s killer. The suspect Minister Quereshi holds the story in the second half. The hunt grows messier and shocking truth gets murkier as reality unfolds.

Screen brilliance by Farhan

Neil- The surprise package

Character analysis-
Needless to mention, Big B outshines and Pandit’s character is unbeatable. Farhan Akhtar gives his hundred percent in every role. The intensity and the hard work in his performance clearly shows on screen. This is Akhtar's another commendable performance after Bhaag Mikhaa Bhaag. From an officer on duty to a father mourning his daughter’s death, Farhan’s shift in expression and body language is superb. He is superb as the new age actor.

Aditi Rao in the role of a classical dancer and perturbed mother, justifies her presence quite well. I surely would love to see more of her classical dance moves. John Abharam adds just the right amount of spice in the climax. What’s more- Neil Nitin Mukesh is a surprise character, who is slyly named Wazir. Why slyly? Well, you gotta watch that for yourself!

Cinematography by Sanu Varghese is brilliant, giving an excellent angle and feel to the story.

The plot is promising and very well executed. Yet the punch of spice unlike in fast paced thrillers is missing. The climax was a little over the top and not out-of- the-box. Could have been better!
In many a places, the story was kind of predictable.

The songs are excellent and enjoyable. In fact it was the song "Atrangi Yaari" that made me watch the movie. (But it does not feature in the movie). Kudos to Big B abd Farhan for singing, considering their talent and energy they have always displayed for audience. A special mention of Ankit Tiwari, Shantanu Moitra hence!

Rest, the songs are not disturbing, performance was excellent and in a true sense a potentially great thriller.

Spoiler- If minister Quereshi could kill Nina, he might as well had killed his own daughter and easily fabricated it as an accident. Sympathies would still remain with him. No?

Rating- 3.5/5

Was Rocky Handsome?

Movie Review- Rocky Handsome

Genre- Action thriller  Director- Nishikant Kamat

Producer- John Abraham, Sunir Khetrapal

In the quest of good action packed movies, I landed up watching the no-so-handsome Rocky Handsome. Not to forget the credentials of the Bollywood hunk and once a heart throb, John Abraham, who pulled the crowd but disappointed many like me. After garnering lot of attention in Madras Cafe and producing a successful movie like Vicky Donor, John Abraham raised the expectation level of audience a notch higher, however Rocky Handsome falls much below the bar.

The plot-.  Heavily borrowed from South Korean action thriller “The Man from Nowhere”, the plot is around an ex special force agent Kabir Ahlawat (John) trained for covet operations living alone in the dingy lanes of Goa. After losing his pregnant wife (Shruti Hasan) in a terrorist attack, his service records are deleted and he runs a pawn shop from his house.

His drug addicted neighbor Anna (Nathalia Kaur) is a single mom with a 7 year old daughter Naomi (Diya Chalwad) and the latter is often left alone in the house. Expressionless most of the times, Handsome (as his nickname) is a silent protector and companion to Naomi. There is an unspoken and caring bond between the two. She finds a friend in Handsome and keeps visiting him while the latter feeds her and lets her sleep in his house, while Anna gets wasted in drugs.

During the gradual up-rise of drug mafia& child traffickers in Goa, Naomi's mom dies of drug abuse and Naomi gets kidnapped by a child trafficker. Handsome crosses all huddles, goes on a killing spree to rescue the girl and busts the whole racket all by himself.

The movie ends, of course with her rescue, dead villains and frustrated audience like me.

Reaction- The pot has nothing new to offer. Most of the characters were misfit and badly portrayed. Well, villains also have a larger than life personality, if not scary. Characterization of villains is irritating and overdone. The only saving grace of the movie was the martial arts sequence in the climax when Handsome and a bad guy fight. But seriously, who will sit through the entire movie to see a fight scene?

The first half seems to be lifeless, slow and too dull. The pace picks up in second half, just because it had to justify the action sequence on which the movie was based.

Too much of bloodshed, violence, nudity and crime but all unnecessary, unwanted, forced fitted.

Too less of good performance, substantial content, emotional hook. Not even good songs!

With a funny movie title but intriguing promos, the audience might be bent to watch this badly made movie. Oops, even John's wrestler like body could not hold the audience. Nishikant Kamat thought at least fight scenes would be a great hit among the masses. Unfortunately that wasn't the case.

I can only give two stars for the last fight sequence in the climax of the movie. Does not deserve more than that.

NH10- Movie review

Director- Navdeep Singh, Producer- Anushka Sharma

Cast- Anushka Sharma, Neel Bhopalam, Darshan Kumar, Deepti Naval (in cameo)

Plot- A well off, working professional couple, Meera(Anushka) and Arjun (Neel Bhoopalam), stay in Gurgaon. Often known as the concrete jungle, it offers dream jobs with high pay packages, lavish lifestyle with dark naked truth underlying in its wraps. A good lifestyle may not mean secure roads. That’s what happens one night, when Meera is attacked in her car by unknown goons as she drives to office from a friend's party. She manages to flee from the spot in nick of time, but the incident leaves her shattered. Scared and scarred, Arjun applies for licensed gun for her safety. Soon, he plans a short vacation in a forest resort, close to Gurgaon for Meera's birthday. The road trip goes awry as they witness a couple being beaten at a road side dhaba. When nobody approaches for help, Arjun intervenes, only to be slapped by the gang leader Satbir (Darshan Kumar). 

An insulted and upset Arjun, spots the SUV of the goons on the way and detours to follow them with the gun. Meera’s plea to stop him, fall on his deaf ears. He watches horrifying “honor killing” of the same couple. The girl was the goon’s sister. As Arjun prepares to run away from the crime scene, he bumps into a mentally challenged lad, a bother of one of the gang members. The gang catches hold of the Arjun & Meera, hit Arjun and plan to kill both of them. In an attempt to escape, Arjun accidentally shoots the mentally challenged lad.

A still from NH10

The couple are chased throughout the night by bloodthirsty gang members, for whom law & order don’t exist. Arjun is brutally hit again. Meera, the protagonist puts up a tough fight to save injured Arjun. She secures Arjun under a railway line bridge, promising to return with help. She runs from pillar to post in the murky no man’s land asking for help. Scared but determined, Meera does not give up in spite of being hurt, exhausted and alone. She gets hunted several times, is pelted with stones, takes shelter in a labor’s hut, kills a corrupt cop, meets with an accident and lands into the village sarpanch's home. This is where the climax again takes a spine chilling turn.

Characters- After playing a kind, good, supportive husband in Mary Kom, Darshan Kumar plays the rustic, dominating Harayani man, who has no qualms in killing his sister for his family honor. Tough, untamed and raw, he carries off the uncanny role really well. Kudos to the director and the scriptwriter who created the thrilling frames.

Anushka does a brilliant job with her memorable performance. Her acting skills would be etched in the audience's mind for a long time. Watch out for her body language and eye expression as she lights up a smoke and patiently waits for Satbir to rise up with his fractured leg. Deepti Naval as the village sarpanch impresses in a cameo. All characters essay strong roles which give that edge to the film.

Background score adds excellence to the film. The entire movie keeps you glued to your seat without letting you blink an eye.Cinematography deserves big applause. Filmed with realistic angles and backdrop, NH10 has the power to scare you in spite of not being in the horror genre. Navdeep has an eye for detail which is very apparent from the reality touch he has given. The audience get to view Gurgaon's shimmery lights and tall buildings through a car window, where the couple is heard chatting. It is the usual private conversation between a husband and wife which instantly hooks audience. The forest areas, half constructed buildings, sandy hills, scattered houses in village, barely maintained police chowki, all add real touch. Even the villagers, who reluctantly and sarcastically tell direction to Arjun for forest resort, would make you nod heads in agreement and anger.

NH10 does not suggest measures to the social evils portrayed.  What it does is reveal the horrid truth that sobs silently beneath the glittering city lights. It lashes out to the patriarchal society for its gender bias and an apocalypse world who confines women in houses and stab them if they get married in the same gotra. When Meera lodges a police complaint against the attack on her, the cop asks her not to venture out alone at night. He also warns sarcastically that law & order remains confined to the visibility of malls. The former vanishes when malls disappear. Sad but true. 

Several things leave the audience seething as the film shows the harsh reality, which are- When Meera asks for helps from the cop at police station, he instructs her to complaint at the thana where the incident took place. Jurisdiction depends on location; else FIR would not be registered. Happens often, yeah? No education can change the mind sets of people who kill in the name of family honor. In this case, it’s a woman who initiates and supports the evil. Cops join hands with criminals by covering the social evil. What could be more disgusting that this? A woman trapped in such a family tries her best to save Meera by lying, but gets slapped.  How many times have we noticed or heard such incidents in these shady villages? Shamefully, countless times. That is why Meera picked up the iron rod to teach the bad guys a lesson, jabbed a ball point pen into the evil cop's eye, crushed her attackers under the wheels and shouts at the sleeping society. She ends with 'Jo karna tha so karna tha' leaving a message for the disgraced world who refer to women with derogatory words on toilet doors or walls of public property.

I admit I was disturbed and scared after watching the movie. I was not able to sleep well at night, as the movie thronged my thoughts. A must watch of this season is NH10. Go for it!

Raanjhna- Movie review

Direction- Anand .L. Rai           -- Story- Himanshu Sharma  ----    Music- A.R.Rahman  -----   

Distribution- Eros International

 More than half of 2013 passed by without many films making huge collection at box office, forget about being memorable. Some lacked scripts, some goofed up with actors, however, this one created history. Raanjhanaa becomes a milestone in Bollywood with strokes of versatility and freshness for the audience after its release on 21st June,2013.

Set in the backdrop of Banaras, Kundan (Dhanush) a poor Tamil Brahmin loves a Muslim girl Zoya (Sonam) since childhood. As a young teen, Zoya reciprocates positively to Kundan. Outraged with the inter-caste and immature love fling, Zoya's parents send her away to a different city for higher studies. A grown up Zoya returns as a beautiful and well educated lady, while a not-very-learned Kundan still loves her hopelessly, least realizing that distance and time have separated them. Kundan is completely shattered & heartbroken to be rejected by her dream girl since she loves somebody from her college. For the sake of their friendship, he agrees to help Zoya get married to her love interest (Abhay Deol). Shocking revelations and sudden twists in the entire plot thereafter gives you goose bumps. Racism, dirty politics, love, faith, all toss together in the emotional and action packed love story named Raanjhanaa.

While the first half focusses on the upbringing of Kundan from a low income family in the beautiful but politically active Banaras and his love for Zoya, the second half reveals many other hues of the film which is fast paced and intriguing. Find yourself witnessing a maze of political attacks and love struck victims.

The movie rests on two major pillars, namely Dhanush and the incredible dialogues. Witty, humorous and catchy, the dialogues sweep you off your feet. Feel awestruck with flawless performance by Dhanush who makes a debut entry in Bollywood after creating ripples in Tollywood. Abhay performs well in his small but effective role. Sonam manages to act somehow throughout the movie though she needs to learn more. Cameo by Delhi based Asmita theatre group adds flavours to the story.

Rahman's music is soothing and just in the right place. Lyrics, especially "Tum tak" and "Raanjhanaa hua mai tera" penned by Irshaad Kamil are commendable.

You are bound to watch it till the end. The only drawbacks may be Sonam's not-so-impactful dialogue delivery and a lot of bloodshed in the second half. My rating -4 on 5! Go fall in love with a larger than life movie..too good to be true? watch it for yourself!

Vicky Donor

Release date: 20th April, ’12

Director: Shoojit Sircar ,             Genre- Rom Com

Cast: Ayushman Khurana, Yami Gautam, Anu Kapoor

Beat the heat with a refreshing movie from the team of Shoojit Sircaar which marks a good– neat family entertainer sans sex comedy or censored issues. “Vicky Donor” showcases a naïve concept of sperm donation which is not well accepted in India.This movie is the debut from John Abrahim's production. 

The protagonist Vicky (Ayushman Khurana) is a good looking and fun loving Punjabi Boy in search of a respectable job. His super active widow mother (Dolly Ahluwalia) runs a beauty parlor in South Delhi and looks after a family of three including an aged but modern mother-in-law (Kamlesh Gill ). Long unemployment and much coaxed by Dr. Chadhha (Anu kapoor), specialist infertility, Vicky donates his sperm in return for money, which soon becomes his regular source of income. Dr Chaddha makes a fortune by utilizing his sperms for families who are ready to shell out anything for a tailor made child. However Vicky’s own marriage ruins when the secret donation goes public and his wife also learns about her own infertility.

An out of the box concept, Vicky Donor proudly says “I am a sperm donor”.  Ayushman is spontaneous and carries his character effortlessly. Vicky’s girlfriend turned wife (Yami Gautam) is a breath of fresh air and justifies her role as a Bengali girl. The cross culture clashes between Punjabi and Bengali families fit into the situation so well, hence making it more than humorous and real. The lively (Grandmother) definitely tickles your funny bone with her witty statements and modern outlook, who shares drinks with her daughter in law and stands by Vicky each time. Anu Kapoor is at the best, acting as the desperate Punjabi Doc, adding punches here& there and infusing life in the script.

After 'Surrogate Mother', a worrying issue of nation – scarcity of sperm donors in India- could have been highlighted. However, social responsibility was not the targeted issue of the movie, so this makes it a complete family entertainer. The film keeps you engaged throughout and the peppy music adds to the charm of it. Strong editing and effective dialogues make 'Vicky Donor' an excellent package.

The movie would indeed be close to Delhi-ites, with scenes shot at Lajpat Nagar, CP and Old Delhi. Go for the humor. Watch how a “Waste sperm” makes lives useful for childless couples and the sizzling characters playing the real life roles, so close to you.

My rating- 4 out of 5

Dor- Movie review

Directed by - Nagesh Kukunoor

Story- Nagesh Kukunoor and Mir Ali Hussain; Music- Salim Sulaiman

Cast- Gul Panag, Ayesha Takia, Shreyas Talpade, Girish Karnad

 

Yeah, it’s quite late to review a movie in 2012 which was released way back in 2006. Though better late than never, I wonder why not I had watched the movie before. Dor, meaning a thread in Hindi, symbolizes connection in this film. Friendship, nuptials, enmity, love, and above all humanity are linked to each other with a DOR, which if pulled correctly can either bond people together or else drift them apart. DOR is a story of two women, brought up in different cultures and places, not known to each other, who get associated with the DOR of their fate, post an unfortunate accident.

Plot-

Zeenat (Gul) is an independent Muslim woman from Himachal Pradesh, who lives life on her own terms. She is open minded, head strong, confident and much aware of her rights. She marries her love interest Aamir (Rushad Rana) a day before he leaves for a job in Saudi.

Meera (Ayesha) is a traditional woman married to Shankar (Anirudh Jatkar) in a remote village of Rajasthan. She is bound by cultural restrictions and hence confines within the limits timidly, with her cheerful and lovable husband, with whom she finds solace and hope of freedom. Shankar too goes to Saudi for a job, taking the responsibility to play a good son and give his family a good life.

As months pass by, the men keep sending money to their families with a promise to return soon, when the unexpected news of Shankar’s death hits Mira’s debt burdened family. The worse, Aamir is accused to have murdered his roomie  Shankar and is sentenced to death penalty. The world falls apart for Meera forcing her to stay secluded in gloomy rooms and wear colorless attire of a widow. Zeenat is informed that according to the Saudi Law, Aamir could escape capital punishment penalty only if Shankar’s wife pardons him.

Zeenat, without a clue of Shankar’s residence, covers a difficult journey from Himachal to Rajasthan, to locate Meera and seek pardon for her husband. Unable to reveal her intention, Zeenat befriends Meera to win her confidence first. Meera starts liking her company and enjoys the break free from her prison each day for some time with Zeenat. Two women, poles apart, get connected by a frail DOR of friendship, show rays of hope to each other.

When the harsh truth uncovers, Meera despises Zeenat, turning down the latter’s pleas of pardon. Does she pardon her husband’s murderer? Does she choose revenge over somebody’s life? Watch the award winning movie DOR, showcasing an inner turmoil of a lady and the bewilderment of choosing between right and wrong, the outcome of which affects the others’ destiny.

Ayesha and Gul, are outstanding in their roles. Girish Karnad delivers an excellent performance in the character of Meera’s father-in-law. Shreyas Talpade adds humor to the script and the dull journey of Zeenat. Nagesh Kukunoor appears in a cameo effectively.

Salim Suliman’s music is commendable. The song “Ye Hausla” acts like a USP for the whole movie, actually extracting the worth of the story. The background score is marvelous, specially the folk “Kesariya Baalam.”

The story of the film is based on the original story written by T.A.Rasak. Sure, our hearts does not make room for others so easily but it seeks the presence of others, connecting to them in some or the other way. DOR depicts that connection magnificently; leaving you with welled up eyes and high on emotions.

I rate the movie 4 on 5.

Shanghai- Movie review

Cast: Abhay Deol, Kalki Koechlin, Imran Hashmi, Farooq Sheikh

                                      Direction: Dibakar Banerjee              … Released on 8^th June,2012  

What was common among the movies- Singham, Gangajal and Wanted? No, not the Khakhi uniform silly, but “One man against the corrupt political mechanism, trying to clean it”. Shanghai is on the similar line minus the khakhi uniform and attempt to set things right, till the second half at least.

A political party in Bharatnagar begins a development phase to modernize the town and generate employment. The new township IBP which is supported by a party leader and CM of the state (played by Supriya Pathak) promotes the industrial development besides her chances to win the elections. On the other hand, a messiah of the common suffering man Dr. Ahmedi (essayed by Prosenjit Chatterjee) lands from the US to oppose the IBP movement, for the farmers and land owners who would lose their lands. (Remember a similar “Nano” incident a couple of years ago?) Minutes after addressing a ralley, Dr. Ahmedi is run over by a van. While the opposition tries to shut the case terming it an accident, his supporters (including Kalki) demand an inquiry for the attempt to his murder. In walks Krishnan, an honest IAS officer with a clean record, to investigate the case. The new developments during the enquiry leave him shocked. Sandwiched between responsibility and politics, much to the audience surprise, he chooses the former towards the end of the movie.

“Kasam khoon ki khaai hai, sheher nahi Shanghaai hai” may answer your question of the reason being the name of the movie. This is what the politicians promise to make of the state, if elected. No, the film has not been shot in Shangaai, as what many expect, going by the name. The promos look promising enough to create curiosity among the audience. But what happens when you see it on the big screen? Does it still hold you till the last scene? You experience witnessing brilliant performance though the pace is not engaging but slow.

The first half of the movie is slower than the second half. The actors have portrayed their roles with great poise; even the small town goons wonderfully get noticed. Abhay Deol definitely deserves a big round of applause who has paid attention to every detail of his character. Be it his Madrasi accent, the grave expression on the face of an IAS officer during inquiry, the shock from the reality, the panicky look on being attacked, Deol outshines everybody. Kalki did not have much to offer besides her blank looks and wide open eyes. Did I miss Imraan Hashmi? Oh, he plays a porn movie cameraman and earns his living by shooting functions or selling pirated DVDs. Hashmi helps Kalki and Deol crack the case with a recorded tape. For the very first time, Hashmi grabs the lime light sans a single kissing scene! Surprised? Well, another round of applause for his complete desi make over with a pot belly and tobacco stained teeth. Farooq Sheikh plays his part like a cake walk.

The story might not be appealing; it’s been said and heard million times now. The audience is mature enough to sense the dirty political trash. Watch it for yet another intense power packed presentation by the actors. An admirable camera work and effective editing make Shanghaai flawless. Yeah flaws like Dengu Malaria do co-exist in the country, yet we are supposed to say “Bharat Mata ki Jai”. Isn’t it?

Kudos to Dibaker Bannerjee, for directing an outstanding movie after Khosla ka Ghosla, Oye Lucky Oye, Love Sex aur Dhokha.

Paan Singh Tomar

Released on 3rd Feb

This is a movie inspired by a real life character Paan Singh Tomar, a soldier of Indian army and an international athlete who turns a dacoit under forced circumstances. Don't watch Paan Singh Tomar if you are in search of a philosophical story. Watch it only for performance, specially by the prodigal, the brilliant Irrfan Khan. Directed by Tigmanshu Dhulia, Paan Singh Tomar showcases the sad plight of the unsung sportsmen in India.

The story runs back to 1950 when Paan Singh Tomar was recruited in the Indian Army and had a peaceful happy family. A good stamina and even better appetite opens a new avenue for him- Athletics, where he excels and gets international fame. However, family disputes and deep sense of helplessness forces the balanced Tomar to resort to violence. Tomar becomes the most wanted Bandit of Chambal. His claim; that the country which did not care when he represented India at an International platform, suddenly seems to recognize him when he has picked up a gun; is sadly a true scenario. Paan Singh Tomar might be a wake up call for those authorities as well who neglect our sportsmen and ultimately the sport loses its grace.

Based on strong research and facts, the movie ends with the names of those who died of poverty and hunger despite contributing much to their fields.

It is Irfan Khan's power packed delivery which keeps you engrossed through out the movie. Strong dialogues sway you away and so does the screenplay. Sets of the movie and the background score happen to be very apt and the action scenes have been quite well shot.

Every character in their small roles has justified his presence in the movie. Be it the coach played by Rajendra Gupta or Tomar's wife essayed by Mahie Gill. Irfan carries the movie on his shoulders spectacularly and this one can fetch him an award.

A must watch for those who have been waiting for something substantial. Paan Singh Tomar is your food for thought

My name is Khan

Friday,12th Feb'10 experienced a massive crowd towards the multiplexes for the awaited KHAN and KAJOL starrer 'My name is Khan'. The movie was given a five star rating by the leading dailies and media went crazy publicising the movie.Surprisingly my sis was able to e-book tickets for Sunday, so I watched it yesterday.

Frankly speaking,I dont think the movie deserves a 5- star. Infact I believe that it was over-rated. Undoubtedly the message which was conveyed was good and valuable.Characters portrayed the real incidents so well that I found 50 percent people sobbing.

The story was well woven around the plot of 9/11 and the strong consequences on the lives of the people with specially the Muslims being racially discriminated and abused. SRK has delivered a powerful performance as a autism patient.I am sure this message has been conveyed to all that an autistic is different from an abnormal and also has desires to fulfil,a life to live,a right to be well treated. Kajol, needless to say was remarkable again. The trauma,the fright, the anxiety post 9/11 was very well played by the actors. 'My name is khan and I am not a terrorist' was the theme of the movie.However the second half of the film was stronger than the first half. The first half seemed to be a fairy tale cum merry go round story. Music by Shankar, Ehsaan,Loy was good ,so was the cinematography.

I felt the movie was a little above average.If I had to rate it,i'd give it a three star or genoursouly a 3.5.  A five star was over publicity I guess. If there are SRK fans who read my blog,please don't kill me.I am rating the movie ,not SRK.

King Khan has done a great job. Karan Johar ,I think,had consulted some astrologist,so for the first time, the name of his movie doesn't begin with  K. But the title does have 'K'han in it,his lucky charm ....Hehe..